The ‘Carol’ Miniseries

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It’s April 17th. The unofficial Carol Day. In the film, that is the day Carol (Cate Blanchett) and Therese (Rooney Mara) reunite. It also happens to be Mara’s birthday—and the date on which the movie’s love scene was filmed.

Why don’t celebrate by listening to our four part miniseries about Cate Balnchett’s  most loved performance in Carol? You can listen right here!

#1 The Love Story with Luke Willis

In the first of multiple episodes about Carol (2015), the topic is the love story. How Therese and Carol fell in love, how Todd Haynes visualizes falling in love and the scorching chemistry between Cate Blanchett and Rooney Mara.

#2 The Queer Cutural Impact with Shayna Maci Warner

In part two, the topic is the cultural impact the film had on queer people. From memes to comedy routines, Carol was adored.

# 3 Cate is the Top with Maggie Larkin

Cate Blanchett’s the top is so many ways. The top star, the top actress. And in Carol she plays the top. In the third of our multiple episodes about Carol (2015), the topic is the perfect merge of actor and role with Blanchett as Carol Aird.

#4 The Influences and Inspirations with Izzy from Be Kind Rewind

And in the concluding part we discuss the influences and inspirations behind this masterpiece. From those acknowledged by the director Todd Haynes – David Lean’s Brief Encounter – to others we gleaned from watching the film many times – the films of George Cukor, Deborah Kerr in The End of the Affair and Haynes’ own Far From Heaven.

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‘Carol’ Part Four: The Influences and Inspirations

We conclude our Carol miniseries with a discussion about the influences and inspirations behind the 2015 film masterpiece. From those acknowledged by the director Todd Haynes – David Lean’s Brief Encounter – to others we gleaned from watching the film many times – the films of George Cukor, Deborah Kerr in The End of the Affair and Haynes’ own Far From Heaven. For this conversation Murtada welcomes back Izzy from Be Kind Rewind to discuss these topics and how forming a relationship with a film changes the way you view over time.

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The film is available on vudu.

Topics Discussed:

  • Why does Carol resonate and has such cultural capital six years into its life. True or are we just living in a Carol bubble?
  • Todd Haynes’ women; their internal lives brought to splendid vivid life. This time we get two. Compare Carol and Therese to Cathy Whitaker in Far From Heaven and the other Carol in Safe.
  • Haynes insists that Carol and Far From Heaven are not similar despite taking place in the same time period. He maintains Carol is more realistic, a love story and not a melodrama though he also says “naturalism is artificial. It’s all artificial.” 
  • Haynes mentions David Lean and Brief Encounter as a direct inspiration for the epilogue and coda of Carol. Other Lean romances include Summertime and Doctor Zhivago
  • Because of the period setting this performance was compared to those from the golden age of hollywood. We talk about Deborah Kerr in The End of the Affair and Greta Garbo’s Romance.
  • Cate’s look, blond hair, red lipstick against the period exquisite cinematography. She has a similar look in Nightmare Alley currently on release. 
  • How with repeated viewing the film becomes funny without losing its emotional impact.

Previous Episodes in the Carol MiniSeries:

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Bonus Podcast: Oscar Nominations Reaction

In this bonus episode we are discussing the 2022 Oscar Nominations. Our take on the acting categories and best picture. The discussion touches on the performances of Kristen Stewart, Nicole Kidman, Olivia Colman, Andrew Garfield and Denzel Washington. We lament the exclusion of Ruth Negga and raise a glass to Lady Gaga’s fun and fascinating press tour for House of Gucci. For this conversation Murtada welcomes back Izzy from Be Kind Rewind

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Other movies discussed include West Side Story, The Power of the Dog and Parallel Mothers and of course the two Cate Blanchett movies that were nominated for best picture Don’t Look Up, and Nightmare Alley.

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‘Carol’ Part Three: The Perfect Actress for the Role

Cate Blanchett’s the top is so many ways. The top star, the top actress. And in Carol she plays the top. In the third of our multiple episodes about Carol (2015), the topic is the perfect merge of actor and role with Blanchett as Carol Aird. For this conversation, Murtada welcomes Maggie Larkin to discuss how Blanchett’s screen persona makes her the ideal actor to play this role.

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The film is available on vudu.

Topics Discussed:

  •  How many times have we seen Carol – why does it resonate?
  • Why is Cate Blanchett so well suited to play Carol? What makes her such a compelling screen presence is what makes her perfect for Carol. The confidence, the glamour, being a consummate actor playing someone who’s always putting on a facade, forced to hide themselves from the world. She plays the text and the subtext, yet never shows all her cards.
  •  Cate always fares better when she shares the screen with other women – think Judi Dench, Sandra Bullock etc.- She is far too intelligent and dominant when paired with men.
  • Deep dive into a few particular scenes that prove Blanchett is the perfect Carol.
  • The chemistry between Cate and Rooney Mara.  
  • Favorite press tour moments 1) Santa barbara Award presentation 2) At Cannes.
  • Blanchett recieved a SAG nomination for Nightmare Alley. Will she be Oscar nominated?

Previous Episodes in the Carol MiniSeries:

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Cate Blanchett in ‘The House with a Clock in its Walls’

A witch and a warlock teach an orphan boy how to becme a magician in The House with a Clock in its Walls, one of Cate Blanchett’s more curious film choices. We discuss her performance, what makes co-star Jack Black special on screen and briefly touch on the response to her two films on release. For this conversation Murtada welcomes filmmaker and podcaster Chels, from Untitled Cinema Gals to the podcast.

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Topics Discussed:

  • This is a “nice” movie, in addition to being a kid’s movie.
  • A humorous script (written by Eric Kriple based on the novel by John Bellairs), full of bon mots “do the right thing, lie to the kid,” verbal barbs between Florence and Jonathan (Jack Black).
  • Jack Black – what makes him special on screen. We choose his best film and coolest moment. “Look at Catherine Zet Jones, she’s snoring,”
  • Contemporary actresses who played witches include Cher, Susan Sarandon, Michelle Pfeiffer(The Witches of Eastwick)Meryl Streep (Into the Woods), Anjelica Huston (The Witches), Nicole Kidman and Sandra Bullock (Practical Magic), Tilda Swinton (The Chronicles of Narnia). Who’d win in a battle?
  • We celebrate the annoucement of Blanchett’s collaboration with Pedro Almodovar for an adaptation of Lucia Berlin’s A Manual for Cleaning Women.
  • Brief discussions of the two Blanchett movies out on release now; Nightmare Alley and Don’t Look Up.

Film within context of Cate’s career:

She really liked working with Eli Roth, because they are re-teaming this year with Borderlands. This must “the one for my children.”

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‘Carol’ Part Two: The Queer Cultural Impact

In the second of multiple episodes about Carol (2015), the topic is the cultural impact the film had on queer people. From memes to comedy routines, Carol was adored. For this conversation, Murtada welcomes writer and film programmer Shayna Maci Warner of Critically Queer, to review the film and talk about its queer legacy.

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The film is available on vudu.

What is the film about?

From Letterboxd:  In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman. Based on the novel by Patricia Highsmith

Who does Cate play? 

Carol, a wealthy NJ woman in 1952 who begins an affair with a young shopgirl that has big ramifications on her life.

How is Cate introduced? 

3 minutes in as Carol and Therese are interrupted at the Plaza..yet it’s that mesmerizing first look in the department that seals the deal we are in for something special.

What year did it come out?

2015

Box Office: Domestic =  $12.7 MM, Int’l =  $27.5MM its cultural impact goes way beyond these numbers.

Critical Response: Metacritic : 94     RT: 94

Topics Discussed:

  • A lesbian film made by queer people: Todd  Haynes, Phyllis Nagy, Christine Vachon, Sarah Paulson. There are some straights too.
  • Desert Hearts (1986) another great lesbian film.
  • The Democratization of access and how it led to Carol‘s cutural impact., see also Superstar: The Karen Carpenter Story (1986).
  • Carol’s seduction of Therese.
  • Cate Blanchett’s heightned portrayal of Carol, playing both the character and the way Therese sees her.
  • The innuendo, the declaring love without saying anything, the drop of the gloves. These  women use everything at their disposal to communicate; except words.
  •  Rooney Mara charts a stingingly real arc for Therese from naivety to maturity.
  • The chemistry between Blanchett and Mara.
  • Blanchett’s ’s chemistry with Sarah Paulson – the only known queer person in the cast.
  • “Mommy’s baby.”
  • The memes; “Harold they are lesbians,” the support group , “gay shaking”  
  • Kathryn Hahn and Rachel Weisz set to the score of Carol.

Other episodes in the Carol series:

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Cate Blanchett in ‘Don’t Look Up’

There’s a comet hurtling towards earth and a bunch of movie stars at trying to not look up at it. To discuss Cate Blanchett’s second movie this holiday season -Adam McKay’s climate change satire Don’t Look UpMurtada welcomes critic Boyd van Hoeij from The Film Verdict to the podcast.

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What is the film about?

From IMDB: Two low-level astronomers must go on a giant media tour to warn mankind of an approaching comet that will destroy planet Earth.

Who does Cate play?

Bree Evante, a morning news show host determined to put a positive spin on news.

What year did it come out?

2021

Critical Response: Metacritic : 52     RT: 56

Topics Discussed:

  • General impression on Adam McKay and his films.
  • Don’t Look Up is being sold as a cross between Dr Strangelove and Network. Are the similies spot on?
  • The targets of the satire – incompetent governments, media, tech billionaires, populace believing in politics not science – are obvious. There’s a shorthand that makes each character’s real world avatar easy to get hence the laughs but does that undermine the film’s intelligence?
  • Huge cast – Leonardo DiCaprio, Meryl Streep, Jennifer Lawrence, Rob Morgan, Tyler Perry, Jonah Hill, Ariana Grande, Mark Rylance, Timothée Chalamet… and more? Who’s funny? Who’s annoying? Who’s unmemorable? Who brought the heart and pathos? Who stands out?
  • Leo’s big Peter Finch-like monologue. Does it work?
  • Cate’s look; called “yassified” by the NYTimes. Extreme fembot.
  • Cate and Leo – The Aviator reunion?
  • Cate and Meryl; they are in one scene together but hardly interact. So we fantasy cast them in other projects

Film within context of Cate’s career:

2021 is turning out to be a big year for Blanchett. She has this and Nightmare Alley coming out within days of each other. 

Cate Blanchett in Supporting Parts:

  • Cate came to prominence as a lead in Elizabeth (1998) but has since taken many supporting roles. Is there a link between them? In story? In collaborators?
  • Some of the supporting parts include The Man Who Cried (2000), The Shipping News (2001), Babel (2007), Hanna (2011).

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‘Carol’ Part One: The Love Story

In the first of multiple episodes about Carol (2015), the topic is the love story. How Therese and Carol fell in love, how Todd Haynes visualizes falling in love and the scorching chemistry between Cate Blanchett and Rooney Mara. For this conversation, Murtada welcomes filmmaker Luke Willis, to discuss all the above as well as rank the best line reading uttered by Blanchett.

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Topics Discussed:

  • Charting the love story in six set pieces 1) meeting at the department store 2) Therese’s visit to Carol’s NJ home 3) the rooftop decision to travel together 4) Waterloo 5) the gun and 6) the finale
  • Cate’s chemistry with Rooney Mara. Playing illicit secret lovers, the screen must smolder if the bond is to be believed. And it does!
  • That opening; that interruption in the first scene- heartbreaking when you consider what’s coming up.
  • Cate’s chemistry with Sarah Paulson -building a physicl language for people who have known each other for years.
  • Favorite line reading of Cate’ and a few fantastic silent moments.
  • Creamed spinach over poached eggs” isn’t that disgusting… that’s what people ate in 1950s? “Dry martini with an olive” though I love. 
  • The movie is so of such rich details, it rewards repeat watching.
  • Therse’s naivety and Carol’s wordliness – the contrast and Therese’s journey to maturity.

Other episodes in the Carol series:

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Cate Blanchett in ‘Nightmare Alley’

Cate Blanchett is back in cinemas this holiday season. And the podcast is back for a final season of episodes. We kick things off with the first of the two Cate movies coming out this month, Guillermo del Toro’s Nightmare Alley. For this conversation Murtada welcomes film critic Leila Latif, to discuss the film, how it differs from 1947 version, and the performances of Cate as a femme fatale, Rooney Mara, Bradley Cooper and Toni Colette.

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What is the film about?

From IMDB: An ambitious carny with a talent for manipulating people with a few well-chosen words hooks up with a female psychiatrist who is even more dangerous than he is.

Directed by Guillermo del Toro, with a screenplay by Guillermo del Toro & Kim Morgan, adapted from William Lindsay Gresham’s novel. 

Who does Cate play?

Lilith Ritter, a psychologist with a dark past and hidden agenda, who holds the key to the events unraveling in the film.

How is Cate introduced?

About an hour into the 2 and half hour movie, in shadows in a nightclub. A real movie star introduction.

Topics discussed:

  • A bleak noir within Del Toro’s obsessions; only this time the monsters are human and there are no supernatural elements 
  • The arc of Stan’s character as played by Bradley Cooper.
  • Cate as noir femme fatale – delivered on the promise of The Good German.
  • This is another of Blanchett’s oh so glamorous roles.
  • Because of the genre (noir) and period (1940s) Blanchett’s performance has been compared to the stars of Hollywood Golden Age. Does she remind us of any in particular?
  • The chemistry between Blanchett and Cooper.
  • The all star cast, who makes an impression? Rooney Mara, Toni Colette, Willem Dafoe, David Strathairn, Richard Jenkins, Mary Steenburgen…… etc.
  • The crafts – the production design (Lilith’s office, the carnival), costumes, lush cinematography (does it fit the genre?) 
  • This version vs the 1947 version.
  • The 1st half vs the 2nd – there seems to be a clear divide and a clear favorite with those who watched so far 
  • Does the film have full frontal nudity? It’s “blink and miss it,” but it’s there and in these cinema puritanical times I appreciated it.
  • We rank Nightmare Alley within Del Toro’s filmography and Cate’s.
  • *********SPOILERS********* Skip between 28.00 and 36.00 if you don’t want to be spoiled*********

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