‘Elizabeth: The Golden Age’

Well the time has come. This week we have a hurricane in us and we are going to command the wind. It’s Elizabeth: The Golden Age (2007), the movie that contains that most famous monologue in Cate Blanchett’s filmography. We discuss the film, that iconic scene and delve into that year’s best actress Oscar competition. Plus we nominate younger actors whose screen work remind us of Blanchett. For this conversation, Murtada Elfadl welcomes back Izzy from Be Kind Rewind

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Follow along the film is available on Amazon prime.

What is the film about?

From imdb: “A mature Queen Elizabeth endures multiple crises late in her reign including court intrigues, an assassination plot, the Spanish Armada, and romantic disappointments.” Directed by Shekar Kapur; also starring Clive Owen, Samantha Morton, Abbie Cornish, Geoffrey Rush, and in a tiny part as an assassin Eddie Redmayne (in 2015 Blanchett presents Redmayne with his Oscar). 

What year did it come out?

2007.

Who does Cate play?

Duh – top billed.  

Reception:

Box Office: Domestic = $16MM, Int’l = $59MM.

Metacritic: 45 RT: 34, definitely not a stellar reception.

Topics Discussed:

  • Starts in1585 and charts the latter years of Elizabeth I reign. Still plays with marriage as one of the main plots. As with the previous film, it takes the broad strokes of history to tell its story. There’s scant historical accuracy.
  • Love when Cate is at the center of the filmIn this film she either is at the center or the scene is about talking about her.
  • Unlike the first movie, she brings humor to this performance. Sometimes commenting n the script’s simplistic notions of female power – like when she repeats the line ”men have needs.”
  • What is the thesis of this film? It tries to say something about the loneliness of power, about aging… but what exactly? It’s all muddled.
  • Unlike the first film Elizabeth (1998), which was celebrated for its visceral athletic, this one was dismissed as another middling costume drama.
  • Works best as a series of scenes that are entertaining… and not always for reasons that the creaters intended. 
  • Fertile ground for upcoming talent. Eddie Redmayne, Abbie Cornish .. like Kelly McDonald and Emily Mortimer in the first film.
  • Elizabeth literally imagines Bess as her young self. Did they get the casting right? Who of the younger actors remind us of Blanchett?
  • Did Elizabeth believe in astrology? 
  • The “I have a hurricane in me” starts at 38. We discuss why this scene ebdures.
  • Other scenes to discuss:
    1. The speech at Tilbury before going off to fight the Spanish armada.
    2. Flirting with Clive Owen.
    3. Dismissing the attentions of the Austrian duke… back to my note above about bringing humor to the performance.
  • Reprising a signature role is not always successful. See Shirley MacLaine in Terms of Endearment (1983) / The Evening Star (1996). Though it worked for Paul Newman in The Hustler (1961) / The Color of Money (1986). Other examples include Peter O’Toole as another monarch in Beckett (1964) and The Lion in Winter (1968).

Costumes we loved:

Looks amazing in cream white in the assasination scene. Intricate eye catching design of most of Elizabeth’s costumes. Though I found many comments in my research that they were not historically accurate. Doesn’t matter, they were noticeable. 

The film must’ve won the Oscar because of the 360 shot of Elizabet’s costume after she wins the war.It’s main competition was Atonement which everybody expected to win because of Keira Knightley’s iconic green dress.

Film within context of Cate’s career:

  •  Released the same year as I’m Not There; she got a lot of notices about her range, “she can play both Elizabeth and Bob Dylan,” which added to her allure as the “best of her generation.”

Awards:  Won Oscar for costume design, nominated for best actress at all the usual awards ceremonies. For such a critically derided film, Blanchett didn’t miss out on any nomination.

Other best actress nominees:

Marion Cotillard, La Vie en Rose – the winner.  

Julie Christie, Away from Her. 

Elliott Page, Juno.

Laura Linney, The Savages – surprise nominee.

Missing out – Angelina Jolie A Mighty Heart, Keira Knightley Atonement, Amy Adams Enchanted, Tang Wei Lust and Caution.

Cate gave us two priceless reaction shots while best actress was presented at the Oscars:

1) revulsion at her “command the wind” clip, and 2) elation at Cotillard’s win.

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The Lord of the Rings

This week we discuss Galadriel, Cate Blanchett’s most iconic role. We delve into the enduring populariy of The Lord of the Rings trilogy and what diffrentiates them as excellent action adventure films, what makes Galadriel so special within Blanchett’s filmography and even ask Peter Jackson for a Boromir / Aragon rom-com. For this conversation Murtada Elfadl welcomes filmmaker Conrado Falco, co-creator of the show Wormholes and host of The Criterion Project podcast.

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Follow along the trilogy is streamig on HBO Max.

What is the film about?

 Based on J R R Tolkien’s trilogy about hobbits, elves and that one ring. In this episode we maninly discuss the first film; The Fellowship of the Ring.

From imdb: “A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.

Who does Cate play?

Galadriel, queen of the Elves with her pointed ears.

How is Cate introduced?

Almost immediately in voice over narrating the prologue that explains the creation of the One Ring. Her voice starts it all. Then she appears in all her blond ethereal beauty.

What year did it come out?

2001 the sequels in 2002 and 2003. The Hobbit movies came out in 2012, 2013 and 2014.

Box Office: Domestic = $315 MM Int’l = $888MM

Critical Response: Metacritic : 92 RT: 91

Topics Discussed:

  • Why were these films so popular?
  • Why Galadriel became one of Blanchett’s most iconic roles. The look, the character and her performance.
  • Well made adventure film especially when compared with mediocre output of current superhero movies. Grand old fashioned entertainment. Why does the adventure and the scale work well?
  • Earnestness done well. How these films wonderfully portray friendship.
  • Ian McKellen’s wonderful and equally iconic performance as Gandalf. How/ why he lost the Oscar?
  • Homoeroticism between Aragon and Boromir. Their relationship has the beats of a rom-com.
  • The many endings of The Return of the King. Despite their abundance they are a nice hang, as if visiting old friends one last time.
  • The metaphor of the ring – what does it mean or stand for? It could mean differnt things depending on interpretation.
  • Cate’s friendship with Ian Mckellen.
  • Deep dive into the “all shall love me and despair‘ scene.
  • Frodo as the ultimate “damsel in distress.”
Cate Blanchett as Galadriel and Ian McKellen as Gandalf

Film within context of Cate’s career:

Her biggest hit and impact on popular culture. Many remember her as Galdriel. Playing this ethereal icon fed into her own iconic status as a movie star. 

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Kate Winslet in ‘Ammonite’

This week we take a brief detour from the films of Cate Blanchett. Instead we are discussing a current film, out on release now, Ammonite. Plus the career of Kate Winslet  and in the latter part of the podcast we discuss a few other queer films out this season. Hosted by Murtada Elfadl with guest queer writer-performer, producer and filmmaker Ren Jender, whose work has appeared in The New York Times, NPR, Slate, Bandcamp and The Village Voice.

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What is the film about?

From Wikipedia: “Acclaimed paleontologist Mary Anning works alone selling common fossils to tourists to support her ailing mother, but a chance job offer changes her life when a visitor hires her to care for his wife.”

Who are the main characters?

Mary Anning (Kate Winslet) – a real life fossil hunter who is known to have been single, no historic evidence of her being queer which raised mild controversy before the film’s release – though that’s par for course since queer history is never recorded

Charlotte Murchison (Saoirse Ronan) – also a real life person though reportedly older that Mary in real life, there is evidence that Mary was invited to her London house for a weekend.

Elizabeth Philpot (Fiona Shaw) – Mary’s neighbor and assumed former lover.

Molly Anning (Gemma Jones) – Mary’s mother and live-in companion.

Roderick Murchison (James McArdle)- Charlotte’s clueless husband.

Topics discussed:

  • Why this story now? A continuation of presenting queer woman in mostly historical stories.
  • The chemistry between Winslet and Ronan.
  • The initial marketing made the sex scene the focus – wise decision?
  • Might the film have been more interesting if it was about Mary Anning’s life and work and not this concotted love story.
  • Fiona Shaw’s performance.
  • Comparison to Francis Lee’s previous queer film, God’s Own Country, another queer romance with roots in the lead’s work and their connection to the earth.
  • Austere filmmaking, minimal dialogue, drab costumes and settings -did these choices work?
  • Is the film boring as this humorous article claims?
  • Comparison to Portrait of a Lady on Fire and Rafiki, two other recent films about queer women. Read Ren’s article on both films, and Murtada’s interview with Wanuri Kahiu, the director of Rafiki.
  • Highlights of Winslet’s career: Sense and Sensibility, Jude, Peter Jackson‘s Heavenly Creatures. Her long association with the Oscars, awards narrative and post The Reader shunning.
  • Other queer movies from this season: I Carry You With Me, No Ordinary Man.

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Frances McDormand in Nomadland

I recently saw Nomadand at the New Yorl Film Festival from the comfort of my couch.

“You know you are not watching just any old prestige drama when a film throws in a shot of its lead character – played by a 2-time Oscar winner – defecating a mere three minutes into its running time. Chloé Zhao’s Nomadland is a film concerned with the concrete realities of life. Things that might seem mundane or unmentionable but take up a big part of everyday life. How a woman carves a small place on earth to sleep, eat, work and yes defecate.”

Read the rest of my review at The Film Experience.

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Fashion Moments We Hope to See at Venice

Cate Blanchett will start her jury president duties at the Venice International Film Festival this Wednesday September 2. The festival will be the first major international film event since the Covid-19 pandemic cancelled all events around the world. Fashion lovers  are cautiously excited since there will be some sort of red carpet.

Blanchett has indicated in an interview with WWD magazine that she plans to exclusively re-wear looks from her closet throughout the festival. Yes, no new couture for Cate this year. It fits a socially distant event to be more responsible and promote sustainability. So we applaud the decision and suggest six looks we hope to see on Cate in the next 10 days.

Arriving at this list was arbitrary. Balnchett has wowed so many times that it’s futile to try to come with any rhyme or reason for my choices. It’s just a few that I love. There is one I did not choose whilst being my favorite because I’d like it to remain exclusive to that moment, the Carol premiere at Cannes. 

Where / When : The Oscars, February 2011

Designer: Givenchy 

Divisive at the time but now universally acknowledged as one of Cate’s most audacious red carpet moments. Everything about it is unusual. The pale lavender color spiked with yellow, the intricate embroidery, the pleats and the architectural breast piece. So avant garde, so Cate!

Where / When: SK-II event in Shanghai, September 2010

Designer: Christian Lacroix 

This is more obscure yet remains one of my faves ever. A glowing burgundy gown embellished with shimmering gold sequins. We have previously waxed poetic about it on the pod.

Where / When: The Oscars, February 2007

Designer: Armani

She wore this column Armani couture silver sheath the year she was nominated for Notes on Scandal. That was also the year she witnessed a moment we love from the telecast. You can see her front row clapping and whooping when The Aviator director, Martin Scorsese won his first Oscar after many nominations and decades of a wonderful career. 

Where / When: Cannes Opening Night and premiere of Robin Hood, May 2011

Designer: Alexander McQueen 

What a way to pay tribute to the recently deceased McQueen at the time. Cate wore this gorgeous black and white gown with the striking eagle print just 3 months after McQueen had passed.

Where / When: The Good German, LA premiere, December 2006

Designer: Versace 

This cream and gold peekaboo dress is singular but rarely mentioned in any fashion retrospectives about Cate. Bring it back, let the people enjoy.

Where / When : The Oscars, February 2005

Designer : Valentino 

Go big and re-wear something from one of your biggest career moments. That would be the bespoke Valentino that was specially designed for her to collect her first Academy Award. Cate and Valentino wanted to create a unique fashion moment, so he dressed no one else that year at the Oscars. This Yellow taffeta with the mauve sash was certainly a big wow and my favorite Oscar fashion from Cate. 

I haven’t chosen anything from last year’s Venice or from her stint as jury president in Cannes 2018 because I wanted to go further back in time. However let us know in the comments what you want to see repeated from those festivals?

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‘Elizabeth’ and the 1998 Oscar for Best Actress

For the 2nd season finale of the podcast, we return to 1998. Elizabeth was Cate Blanchett’s international breakout and the first time many people saw her on screen. Hence it deserves a revisit. To discuss the film again, along with Blanchett’s first Academy Award nomination and the 1998 best actress Oscar race, Murtada Elfadl welcomes Izzy from Be Kind Rewind Click to listen: Logo - Lizzy copy Subscribe:  Apple Podcasts   /   Stitcher   /  Spotify  /   iHeart What is the film about? From imdb: The early years of the reign of Elizabeth I of England and her difficult task of learning what is necessary to be a monarch. Directed by Shekar Kapur; also starring Richard Attenborough, Geoffrey Rush, Joseph Fiennes, Emily Mortimer, Kelly McDonald. What year did it come out? 1998. Who does Cate play? Duh – top billed.  How is Cate introduced? 7 Minutes in, dancing in a field among her ladies in waiting. Box Office: Domestic = $30,082,699 (36.6%), Int’l = $52,067,943 (63.4%).
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Cate Blanchett as Elizabeth I
Topics Discussed:
  • Why was this performance so well received? It was considered such an arrival of a major star. How much is the role? How much is Cate? She charts a whole journey and character arc from young woman to monarch to stateswoman to almost deity, getting the chance to play innocent, cunning, in love, betrayed; the whole gamut of emotions.
  • So many actresses played this part: Bette Davis, Glenda Jackson, Anne-Marie Duff, Helen Mirren and Margot Robbie. Why is it so attractive to storytellers?
  • What is the Cate moment that sealed her stardom and Oscar nomination? Basically what’s this film “I have a hurricane in me” from Elizabeth: The Golden Age?
    • Ominously surrounded by men as Elizabeth is interrogated in the tower early on the film. Vacillating between fear and trying to hold it together while answering a barrage of questions.
    • Her scene with Kathy Burke as Mary “I see you are a consummate actress.” 
    • Preparing and delivering her speech to the bishops.
    • Lamenting the defeat of her troops in Scotland by Mary of Guise.
    • The finale “I’ve become a virgin.
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Cate Blanchett in Elizabeth and Gwyneth Paltrow in Shakespeare in Love. Both won Golden Globes, Paltrow won the Oscar
Other 1998 Oscar Best Actress Nominees: Gwyneth Paltrow, Shakespeare in Love – the winner. She and Cate both won at Golden Globes. Meryl Streep, One True Thing – Nomination #11 out of 21. Only nomination for film. Great monologue, “I’m tired of being shushed.” Fernanda Montenegro, Central Station– won best actress at the Berlinale, LAFCA and NBR. She and Cate were runners up to Ally Sheedy (High Art) at NSFC. Runner up to Cameron Diaz (There’s Something About Mary) at NYFCC. This tweet is funny! Emily Watson, Hillary and Jackie – forgotten film, more of an afterglow nomination 2 years after Breaking the Waves. Interesting career trajectory with Blanchett as she was considered for Elizabeth.
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The other 1998 Oscar nominees were Fernanda Montenegro in Central Station, Meryl Streep in One True Thing and Emily Watson in Hilary and Jackie
Did Paltrow win because she played a romantic lead, something academy members are prone to award —Roman Holiday, Moonstruck—while Blanchett was playing a more traditionally male role as a monarch? More from Murtada and Izzy: Elizabeth was previously discussed on the podcast. Don’t miss Be Kind Rewind on how Shakespeare in Love won its Oscars. Note on the headline: This Oscar year is sometimes referred to as “the 1999 Oscars” since the ceremony took place in March of 1999. However I prefer using the year of the film’s release, 1998. Subscribe:  Apple Podcasts   /   Stitcher   /  Spotify  /   iHeart Like? Rate and Review. Have a question? Leave us a comment.

Blue Jasmine: 3 Podcasts 1 Amazing Performance

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Have you listened yet to the three part miniseries about Cate Balnchett’s Oscar winning performance in Blue Jasmine? You can listen right here!

Follow along, the film is streaming at Amazon.

#1 Actor as Auteur with Matthew Eng

In part one we discuss Cate Blanchett as the real auteur of Blue Jasmine, and the many ways her performance makes her the author of the film.

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#2 The “Streetcar” Allusions with Candice Fredrick

In part two, we talk about the similarities to Tenesse Williams’ A Streetcar named Desire, the character of Blanche Dubois clearly is the blueprint for Jasmine… the many actresses who played Blanche or were inspired by her from the women in Pedro Almodovar’s movies to Gena Rowlands in Woman under the influence to most recently Carey Mulligan in Wildlife.

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# 3 Jasmine and Her Sisters with Jose Solis

And in the final part we discuss Jasmine and her sisters within the Woody Allen Oeuvre. Annie Hall, Helen St Clair in Bullets Over Broadway, Maria Elena in Vicky Cristina Barcelona and Cecilia in The Purple Rose of Cairo, among others.

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Cate Blanchett in ‘Truth’

In Truth, Cate Blanchett plays journalist and TV news producer Mary Mapes in the story of the fallout from the CBS investigation into George Bush’s military service, that led to the resignation of Dan Rather. The performance was warmly recieved even if the film wasn’t widely seen, we examine why in the latest episode. Hosted by Murtada Elfadl  with guest Kevin Jacobsen host of And The Runner-Up Is podcast.

Logo - Truth

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What is the film about?

From IMDB: Newsroom drama detailing the 2004 CBS 60 Minutes report investigating then-President George W. Bush’s military service, and the subsequent firestorm of criticism that cost anchor Dan Rather and producer Mary Mapes their careers.

What year did it come out?

October 2015

Who does Cate play?

Mary Mapes; TV news producer, and author. She is known for the story of the Abu Ghraib torture and prisoner abuse scandal, which won a Peabody Award.

How is Cate introduced?

Immediately as Mapes is hiring a lawyer who will represent her during an internal investigation that CBS is conducting, the set up for the flashback to the main story.

Box Office: Domestic = $2.5MM                Int’l = $5.3MM

Critical Response:     Metacritic : 66                 RT: 63

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Cate Blanchett as Mary Mapes in ‘Truth’

Topics Discussed:

  • Blanchett’s performance as the center holding the film. 
  • The movie is based on Mapes’ book Truth and Duty: The Press, the President, and the Privilege of Power – does that make it inherently one-sided? Did we need to hear “the other side?” 
  • Awards wise – if this wasn’t the year of Carol could she have contended? Media seemed to think so in early fall post TIFF but the movie actually made no business. Is the performance worthy of awards?
  • The filmmaking- James Vanderbilt has an interesting career. Wrote David Fincher’s Zodiac (2003), The Amazing Spiderman movies (2012-14) and Adam Sandler’s Murder Mystery (2019). Also produced many movies including another collaboration with Cate; The House with a Clock in Its Walls (2018).  
  • Robert Redford as Dan Rather and the other actors – Elisabeth Moss, Dennis Quaid and Topher Grace.
  • The movie was filmed in Australia to accommodate Cate, giving the opportunity to many Australian actors and crew, including a dynamite Noni Hazlehurst as Nicki Burkett. Hazelhurst previously played Blanchett’s mother in Little Fish (2005).  
  • Journalistic procedural similar to Zodiac and other classics of the genre like All the President’s Men and Spotlight – that was the ambition. How was the reality?

Memorable quotes:

“Our story was about whether Bush fulfilled his service. Nobody wants to talk about that. They wanna talk about fonts and forgeries and conspiracy theories, because that’s what people do these days if they don’t like a story. They point and scream. They question your politics, your objectivity, hell, your basic humanity. And they hope to God the truth gets lost in the scrum. And when it is finally over and they have kicked and shouted so loud, we can’t even remember what the point was.”

 Scenes we liked:

  • Above monologue – shows Cate at her best.
  • The tense tv interview with Col. Bill Burkett (Stacy Keach) – shows the different allegiances, priorities and the corporate machinations.

What seemed off:

  • The morality tale is intriguing but perhaps the story itself is minor and does not warrant a film treatment?
  • The exposition between Quaid and Moss where they explain Rather is Mapes’ “father figure.” The film hammers that connection, does it feel real? Much better is the scene in the hotel when they share a drink and he tells her he’ll apologize on camera.

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Redford, Blanchett and Bruce Greenwood in a scene from ‘Truth’

What reviews said of film / Cate:

“Suffering only from a measure of familiarity when set beside the actress’s other work, Blanchett’s performance is forceful yet delicately shaded, and she renders Mapes with admirable complexity: We see a hard-working wife and mother who struggles to find time with [family], but also a tough-as-nails producer whose excitement outstripped her attention to detail at one crucial moment.”Justin Chang, Variety.

Blanchett makes us feel the creeping horror of professional disgrace, the fear and stigma, however unfair Mapes argues her treatment may have been. We watch a polished professional come apart at the seams, caught up in self-incrimination and spiralling neurosis. She’s in the form of her life at the moment.”Tim Robey, The Telegraph.

“The weirdness of “Truth”—and, I fear, its involuntary comic value—arises from a disparity between the sparse and finicky minutiae of the narrative and the somewhat bouffant style of the presentation. As the program airs, those who have toiled on it are seen smiling in proud slow motion, while ordinary folk, all across the nation, in bars and in living rooms, stare up at their TV screens as if witnessing the descent of the Messiah. Later, when the report unravels, along with Mapes’s sang-froid, the film offers up as tear-streaked tragedy which is, in fact, a cautionary tale about photocopying, the moral being that you should check your information at the source. Vanderbilt has marshalled his material with scrupulous care, as he did when he wrote the script for David Fincher’s “Zodiac,” so how come that movie was twenty times more riveting? Partly because of Fincher’s scary visual command, and because deaths rather than deadlines were at stake, but also, I suspect, because the new film clings to the nagging thought that if the National Guard story had held firm the Presidential election—and thus recent history—might have followed a different path.”Anthony Lane, The New Yorker.

Giorgio Armani hosts 'Truth' film screening at the Cinema Society, New York, America - 07 Oct 2015
Mapes, Blanchett, Redford and Rather at the film’s New York premiere October 2015

Promotional work: Cate on Mapes for NY Magazine:

“I went online, as one does, and I saw this series of interviews Mary gave after the story had come out. I saw this quiet, defensive lockdown in her, and when I met Mary, I found it very difficult to reconcile this vivacious, hilarious, searingly intelligent and instinctual human being with that. I thought, somewhere between those two things, those two energies, lies the performance.”

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‘Blue Jasmine’ Part 3 – Jasmine and Her Sisters

In the 3rd and final part of the Blue Jasmine miniseries, we discuss Jasmine and her sisters. Annie Hall, Helen St Clair in Bullets Over Broadway, Maria Elena in Vicky Cristina Barcelona and Cecilia in The Purple Rose of Cairo, among others. Hosted by Murtada Elfadl with returning guest journalist and theater critic Jose Solís, host of Token Theater Friends podcast.

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Follow along, the film is streaming at Amazon.

What is the film about?

From IMDB: A New York socialite, deeply troubled and in denial, arrives in San Francisco to impose upon her sister. She looks a million, but isn’t bringing money, peace, or love…

What year did it come out?

July 2013

Who does Cate play?

Jasmine of course. One of her many titular characters.

How is Cate introduced?

Immediately and memorably. Jabbering away about her life and marriage to a stranger on a plane, sets the tone for how unstable the character is. 

Box Office:        Domestic = $33MM                Int’l = $66MM

Metacritic : 78          RT: 91

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How often do you quote Blue Jasmine IRL?

Topics discussed:

  • Woody Allen is a well known terrible person. Though the films are great and influential. Art vs. Artist. How do you reconcile your feelings about him and his art that we have loved for many years?
  • Blue Jasmine is a performance driven film. Blanchett just holds the screen. What other examples of this are in Allen’s canon?
  • Annie Hall (1977) – unique character inspired by the actress playing her, Diane Keaton.
  • Bullets Over Broadway (1994)- comedy genius performance from Dianne Weist.
  • Vicky Cristina Barcelona (2008) – another comic “genius” in Penelope Cruz.
  • Interiors (1978) – is it the closest to Jasmine of Woody’s women? Certainly the tragic ends of both Eve and Jasmine are similar. 
  • Or is it Judy Davis in Husbands and Wives (1992), an actress who’s closest in temperament to Blanchett?
  • Mia Farrow’s sublime performance in The Purple Rose of Cairo (1985).
  • Emma Stone as the Woody stand-in Irrational Man (2015).
  • Allen’s reputation for many years as “women’s writer director” can’t be denied despite some misogynistic roles e.g Hemingway in Manhattan
  • The work of the costume designer and the makeup artist in helping Cate craft this performance
  • Charting the effects of the economic crisis on one person.
  • This is a lauded performance with critics, awards bodies and audiences – where does this stand among the best performances of the 2010s?

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Peter Sarsgaard, Blanchett, Michael Stuhlbarg and Alec Baldwin at the New York premiere July 2013

References:

“I think Woody Allen is a criminal, but I still think about (& might watch) his old films. I think The Cosby Show should still be aired.” Emily Nussbaum to Terry Gross on NPR.

Promotional Work:

More on Blue Jasmine:

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‘Blue Jasmine’ Part 2 – The Streetcar Allusions

In part 2 of the Blue Jasmine miniseries, we discuss the similarities with Tennessee Williams’ A Streetcar Named Desire, the character of Blanche Dubois, clearly is the blueprint for Jasmine. The many actresses who played Blanche or were inspired by her from the women in Pedro Almodovar’s movies to Gena Rowlands in A Woman Under the Influence to most recently Carey Mulligan in Wildlife.  Hosted by Murtada Elfadl with guest TV and Film Journalist Candice Frederick.

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Follow along, the film is streaming at Amazon.

What is the film about?

From IMDB: A New York socialite, deeply troubled and in denial, arrives in San Francisco to impose upon her sister. She looks a million, but isn’t bringing money, peace, or love…

What year did it come out?

July 2013

Who does Cate play?

Jasmine of course. One of her many titular characters.

How is Cate introduced?

Immediately and memorably. Jabbering away about her life and marriage to a stranger on a plane, sets the tone for how unstable the character is. 

Box Office: Domestic = $33MM         Int’l = $66MM

Metacritic : 78         RT: 91 

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We explore the relationship between the sisters in this episode

Topics discussed:

  • Blue Jasmine as a riff on Tennessee Williams’ A Streetcar Named Desire. Woody Allen denied the connection, though it’s obvious to anyone who knows the play.
  • The differences between Streetcar and Jasmine:

– No sexual tension between Jasmine / Chilli as there was btw Blanche / Stanley.

– It’s Jasmine’s story, diminished roles for other characters.      

– Modernized Streetcar though themes of class disparity are consistent.

  • Blanche is written and played more vulnerable than Jasmine, though they are both architects of their own destruction.
  •  Cate has played Blanche DuBois in a production directed by Liv Ullman that came to BAM in 2009. 
  • Other actresses who played Blanche (it’s a right of passage) include: Vivien Leigh, Jessica Lange, Rachel Weisz, Gillian Anderson, Nicole Ari Parker.
  • Other performances in the vein of “women unravelling” so many examples from Gena Rowlands in A Woman Under the Influence to Carey Mulligan in Wildlife to a whole array of Pedro Almodovar leading ladies particulary in All About My Mother.
  • Blanchett’s performance in relation to the other actors, in particular her chemistry with Sally Hawkins as the “Stella” to her “Blanche”.  

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Blanchett and Hawkins as Blanche/Jasmine and Stella/Ginger

What reviews said of film / Cate:

“This is a film that draws deep from the well of A Streetcar Named Desire. Cate Blanchett, who has played Blanche du Bois onstage, is here cast as an updated version of Tennessee Williams’s anti-heroine, Blanche’s reveries about a faded Southern aristocracy replaced with contemporary delusions bred by life as lived among the 1 percent in Manhattan and the Hamptons. The film begins with Jasmine (née Jeanette) arriving in San Francisco, broke but still flying first class, the dazed victim of a financial scandal involving her former husband. Now homeless, she is forced to rely on the comfort of her estranged sister, Ginger, who is romantically involved with a blue-collar lug named Chili. (Although we see Chili in a wife-beater, he refrains from shouting, Hey, Ginnnnn-gerrrrrr!!!!) Like Streetcar, Blue Jasmine is the story of Jasmine’s further humbling, of upper-class pretension dashing against the rock of working-class earthiness; also like Streetcar, Allen’s work shares its heroine’s snobbery, the director as appalled as Jasmine by Chili’s and Ginger’s gaucheries, their lack of interest in high culture, their aspirational void”Vanity Fair

 

Blanchett, Blanche — the names seem fated for each. Mr. Allen has said that he didn’t see Ms. Blanchett play Tennessee Williams’s most famous creation in Liv Ullmann’s celebrated 2009 production of “A Streetcar Named Desire” at the Brooklyn Academy of Music. (Jasmine’s appalled aside about being forced to move to Brooklyn after being priced out of Manhattan amusingly suggests why he didn’t.) Whatever his inspiration, he has been rummaging around in the classics for decades, so his appropriation of “Streetcar” doesn’t surprise. What does is his reimagining Blanche by way of another figure who changes depending on how you hold her up to the light, Ruth Madoff, the wife of Bernard L. Madoff, the investor turned avatar of a fallen world. It’s a masterly stroke that puts Jasmine’s dissembling into fresh, chilling perspective.

The allusions to “Streetcar” are copious and obvious, and spotting the quotations initially feels like a kind of humorous parlor game, from the French connection that links Blanche and Jasmine’s names to Mr. Allen’s staging of a violent skirmish, which echoes a similar one in Elia Kazan’s film adaptation. Underscoring the resemblances, Jasmine repeatedly explains that “Blue Moon” was playing when she met Hal, memories that evoke the blue piano that, as Williams wrote in “Streetcar,” expresses “the spirit of the life which goes on here.” In the play, Blanche also says that Stanley isn’t the type who goes for jasmine perfume, an aside that carries an accusation.” – Manohla Dargis, NYTimes

ScreenPrism on the similarities between Blue Jasmine and A Streetcar Named Desire.

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Blanchett and Joel Edgerton in Liv Ullman’s production of A Streetcar Named Desire

Reviews of Cate as Blanche on Stage:

“What Ms. Blanchett brings to the character is life itself, a primal survival instinct that keeps her on her feet long after she has been buffeted by blows that would level a heavyweight boxer. Ms. Blanchett’s Blanche is always on the verge of falling apart, yet she keeps summoning the strength to wrestle with a world that insists on pushing her away. Blanche’s burden, in existential terms, becomes ours. And a most particular idiosyncratic creature acquires the universality that is the stuff of tragedy. All the baggage that any “Streetcar” usually travels with has been jettisoned. Ms. Ullmann and Ms. Blanchett have performed the play as if it had never been staged before, with the result that, as a friend of mine put it, “you feel like you’re hearing words you thought you knew pronounced correctly for the first time.” Blessed perhaps with an outsider’s distance on an American cultural monument, Ms. Ullmann and Ms. Blanchett have, first of all, restored Blanche to the center of “Streetcar.” – NYTimes

More on Blue Jasmine:

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