A new Steve McQueen film is always reason for celebration and especially this one, his sexy and intoxicating swerve into joie de vivre. Lovers Rock which debuted as the opening night film of the New York Film Festival, is part of Steve McQueen’s Small Axe anthology. The series comprises five original films set among London’s West Indian community in the 1970s and 1980s and inspired by stories remembered by McQueen and his family.
Distinctly a McQueen film with its long intense takes and shots that dissolve into one another. Though somewhat of a swerve for him into joie de vivre as these extended dance sequences show the euphoria and camaraderie of life, of people coming together.
Let me introduce Murtada’s Corner which will be the new section where you can read about other topics. The podcast will remain all about Cate Blanchett but here I will branch into other writing – old and new – about other topics. Mostly cinema related.
I’m starting with another actress I admire, Carey Mulligan and a collection of articles I’ve written about her through the years. Happy Reading!
Carey Mulligan is an actress of immense range. Since her breakout at the 2009 edition of Sundance with An Education, she’s given us many tremendous performances. All of them heartbreaking and deeply felt in different ways, whether she’s a replicant trying to make human connections (Never Let Me Go), F Scott Fitzgerald’s famous Daisy (The Great Gatsby), a broken sister singing her heart out as a last cry for help (Shame) or a wife and mother facing the dissolution of her marriage and the paucity of choices after (Wildlife). And once again she gives an exceptional performance in Promising Young Woman
On her performance in Wildlife:
“This is her shining moment. It’s her Blanche Dubois moment. Her Jeanette, a Montana housewife dealing with the repercussions of a crumbling marriage, is untethered yet Mulligan is in complete control. She holds the performance in her voice, as it trembles with emotion – hurt, confusion, anger, uncertainty – all is clear to the audience through the timber of her voice.”
“Mulligan’s performance is an emotional marvel and delivered with technical mastery. Her working class English accent is impeccable, her weariness and defeat is visible in her hunched back and heavy walk, her defiance rises to crescendo and is delivered with skillful control of her voice. This is why there are awards for acting.“