Cate Blanchett in ‘Heaven’

That heart wrenching closeup. That iconic buzzcut. That performance many think is one of Cate Blanchett’s best. This week Murtada welcomes Kyle Stevens to discuss Heaven (2002), directed by Tom Tykwer.


Subscribe:  Apple Podcasts   /   Stitcher   /  Spotify  /  Google

What is the film about?

From IMDB: A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband’s death, and finds herself not only under arrest for murder but falling in love with an officer.

What year did it come out?

October 2002.

Who does Cate play?

Philippa an English teacher living in Turin, Italy who carries out a vengeful act.

How is Cate introduced?

A few minutes in as Phillippa prepares for her quest.

Box Office: Domestic = $784,399 Int’l = $3,462,690

Metacritic : 68 RT: 74

Get that buzzcut, Cate

Topics Discussed:

  • Conceived as a  new trilogy: Heaven, Purgatory and  Hell from director Krzysztof Kieslowski and his writing partner, Krzysztof Piesiewicz who made Blue, White and Red.
  • What could’ve been if Kieslowski didn’t pass on before making it?
  • The first few minutes Blanchett body movement looks nothing I’ve ever seen from her. Usually she glides into the frame, here she awkwardly walks, sometimes even waddling. 
  • Beautiful visuals… the look is sometimes breathtaking …
  • Jarring to native Italian speakers? I trust Cate with accents 
  • The plot is facile, easy but is that part of the fable , the unreality of it 
  • The ending – did they ascend literally to heaven?
  •  Ribisi – yay or nay?
  • Revisiting Elizabeth (1998)

Scenes we liked:

  • The interrogation scene. Long, fantastic,  The emotions on her face as she realizes the truth. That perfect fall to the floor as she’s overwhelmed… the polar opposite of getting up from the floor on Carol. Yet both show us how remarkable she is at using her to act and give us beautiful images at the same time.
  • The confession in the church scene specially her reaction to Ribisi saying “I love you.”

What seemed off:

Did the film successfully mix the grounded visceral elements of its story with the dreamy metaphysical ending?

Cate Blanchett in a scene from Heaven

Film within context of Cate’s career:

  •  From all the early 2000s films she made, this is the only one remembered fondly.

Film within the context of year it’s been released:

  • This was a Miramax release in the year of The Hours, Gangs of New York and Chicago – so we assume it got lost in the shuffle.

What reviews said of film / Cate:

“In ”Heaven” the Australian dramatic chameleon Cate Blanchett gives the most compelling screen performance of her career as a principled terrorist whose desperate act of violence tragically backfires, leaving her broken and reeling with despair and self-loathing.

As her character, Philippa, a recently widowed young English teacher living in Turin, Italy, disintegrates, Ms. Blanchett registers a wrenching series of quick emotional changes. Upon learning that her carefully plotted act of vigilantism has resulted in the deaths of innocent people, her defiance gives way in seconds to shock, then to horror, then to self-realization so painful that she doubles up and crumples onto the floor, unconscious.

Although Ms. Blanchett’s face has always registered emotion with a mercurial fluidity, the immediacy of feeling she conveys in ”Heaven” is astonishing. It also allows her to carry off the seemingly impossible feat of making us care passionately about a woman who has committed an unforgivable crime.” – Stephen Holden, NY Times.

“Blanchett’s performance confirms her power once again. She never goes for an effect here, never protects herself, just plays the character straight ahead as a woman forced by grief and rage into a rash action, and then living with the consequences.” – Roger Ebert

Promotional work:


Subscribe:  Apple Podcasts   /   Stitcher   /  Spotify  /  Google

Like? Rate and Review.  Have a question? Leave us a comment.





Cate Blanchett in ‘The Gift’

This week we discuss Cate Blanchett’s post-Elizabeth (1998) career and in particular The Gift (2000) directed by Sam Raimi.

HostMurtada Elfadl, some of Murtada’s film writing can be found here.

Guest : Kieran Scarlett, some of Kieran’s writing can be found here. Listen to his podcast, You Started It!

ep 4 logo

Subscribe:  Apple Podcasts   /   Stitcher   /  Spotify

Follow along, the film is available on Netflix.

What is the film about?

From imdb: A woman with extrasensory perception is asked to help find a young woman who has disappeared. The big supporting cast includes Keanu Reeves, Hilary Swank, Greg Kinnear, Giovanni Ribisi and Katie Holmes. 

What year did it come out?

 Limited release late December 2000, then opening early 2001.

  • Who does Cate play?

 Annie Wilson, the woman with the gift.

  • How is Cate introduced?

Her hands as she put down cards over the credits before her face is shown.


Topics discussed:

  • Most reviews mentioned that this role seems miles away from her Oscar-nominated Elizabeth (1998) – did Cate mange to subvert expectations and show her range by choosing this film as her leading role follow-up? She also diversified by taking supporting parts in The Talented Mr Ripley, Pushing Tin released in 1999 and The Man Who Cried released in 2001. Also turned down Hannibal around this time.
  • On the flip side this film didn’t work leading to the start of Cate’s lost years between Elizabeth her breakout and The Aviator when something finally jelled. However she made many movies in differnt genres and learned how to be in front of the camera.
  • Cate subverts the trope of the scream queen by underplaying it subtle and all in the eyes and the tremble of the body. Does it work or did we need more drama and hysterics?
  • This was based on Billy Bob Thornton’s mother’s life???
  • Sam Raimi’s strange career – made this after A Simple Plan and For the Love of the Game and right before spending almost a decade making 3 Spider Man movies.
  • Starts with thunder and fog then proceeds to “gift” us with the entrapments – visual and sonic – of gothic mysteries. The bait and switch cliche of presenting the culprit as the sensitive guy who most understands our heroine.
  • Does the film have any cultural capital today beyond being in its cast’s filmography?
  • Domestic violence and child sexual abuse are introduced as plot points – are they handled with sensitivity and nuance or just paid lip service to?
  • Apparently many of the actors signed on for scale because they wanted to work with Cate.


Famous quotes by the character:

  • “You see something bad?” is THE quote from the movie, delivered by Katie Holmes
  • “What does fuck mean? It’s a bad word for something nice.” Sounds like a Bill Bob quote.

Costumes we loved:

None really though all were appropriate. Annie is costumed very modestly in contract to Jessica (Holmes) and her friend played by Kim Dickens.

What seemed off :

  • Keanu is not good, Kinnear telegraphs a lot. Ribsi twitches.. Are they in the same movie as sublime Cate? 
  • The sript is overwrought but the direction makes it play.

Film within context of Cate’s career:

  • Doesn’t register now.
  • See above about her post Elizabeth work.
The cast at the film’s LA premiere in December, 2000.

What reviews said of film / Cate:

A O Scott’s review starts with a graf about Cate but it’s mostly about the “but” it contains

“In the last few years, Cate Blanchett has shown a range few screen actresses of her generation can match, playing, among other roles, Elizabeth I, a Long Island housewife in ”Pushing Tin” and a lovelorn preppy in ”The Talented Mister Ripley.” Even when the movies themselves have been lackluster, Ms. Blanchett’s performances have been vivid with submerged feeling. She doesn’t so much embody her characters as haunt them, registering unspoken and unconscious hurt in the hollows of her face and her watchful blue eyes.”

“Even if you’ve figured out where The Gift is headed, the actors keep you watching closely.” – Stephanie Zacharek, Salon.

“The movie is ingenious in its plotting, colorful in its characters, taut in its direction and fortunate in possessing Cate Blanchett. If this were not a crime picture (if it were sopped in social uplift instead of thrills), it would be easier to see the quality of her work. By the end, as all hell is breaking loose, it’s easy to forget how much everything depended on the sympathy and gravity she provided in the first two acts.” Roger Ebert.

Cate in relation to these co-stars, director, costume designer:

  • Sam Raimi teased Cate about most of her films – including this one – being flops in a tribute video when honoring her with a career award at the Australian Oscars in 2016.
  • In 2 years she’ll work with Ribisi again in Heaven, one of her most unheralded but great performances.
  • Cate and Hillary Swank would win Oscars 4 years later on the same night for The Aviator and Million Dollar Baby respectively.

SF Chronicle interview with Cate:

“There were plenty of offers to drive a film after ‘Elizabeth.’ But there is no point in driving a film if you don’t have a story to tell,” 

Raimi to Newsweek:

Raimi was working with a budget reportedly under $10 million. But he had no trouble getting people like Keanu Reeves to work cheap when they’d read the rich, layered script–and heard who’d be telling their fortunes. “Once they knew Cate Blanchett was starring in the piece,” he says, “they knew they were going to be across from one of the best, if not the best, leading ladies in the world.” 

Subscribe:  Apple Podcasts   /   Stitcher   /  Spotify

Like? Rate and Review.  Have a question? Leave us a comment.