Bonus Podcast: The Buzz on Sundance Movies

In this bonus episode we are discussing the many films we screened at the 2022 Sundance Film Festival. For this conversation Murtada welcomes Li Lai, founder and editor in chief of Mediaversity Reviews to discuss a few films including Bill Nighy in Living, Emma Thompson in Good Luck to You, Leo Grande and two films for both Dakota Johnson (AmI OK? and Cha Cha Real Smooth) and Regina Hall (Master and Honk for Jesus Save Your Soul).

Click to listen:

Subscribe:  Apple Podcasts   /   Stitcher   /  Spotify  /   iHeart

Other movies discussed include Rebecca Hall in Resurection, Fire of Love, Palm Trees and Power Lines, Nanny, After Yang, Call Jane, Free Chol Soo Lee, and Brainwashed: Sex-Camera-Power. We also discuss whether the selection reflected a diversity of voices.

For more context check out Murtada’s letterboxed list.

Like? Rate and Review. Have a question? Leave us a comment.


Sundance 2022: Good Luck to You, Leo Grande

For my coverage I’m writing shorter reviews of first impressions. Thoughts about the films I watched and plan to delve into more when they are releasd. Here’s the first dispatch on Emma Thompson in Good Luck to You, Leo Grande.

In Good Luck to You, Leo Grande Emma Thompson reminds us why we need movie stars. Why do we build that relationship over time and cherish it. Thompson is a great actress and here she’s playing a fictional character not herself. Yet so much of how I reacted to this performance was based on the history I have with Thompason. My idea of her screen persona and why I’ve always loved watching her.

Thompson is Nancy Stokes, a 50-ish widow who’s never had an orgasm in her life. She hires a sex worker (Daryl McCormack) and the film follows the two as they try fulfilling Nancy’s desires and fantasies over three encounters.The screenplay by Katy Brand and the direction by Sophie Hyde are both breezy, unfussy and McCormack is a clear comforting presence. A good foil for Thompson. 

But this is all Thompson. And again our history with her. When she sits down to tell a sex memory, just lying in bed. No fuss in language, or camera movements. Just Thompson. We believe her but more than that we feel for her. We do that because we are also thinking of Margaret Schlagel and Elinor Dashwood and Lauren from Love Actually. Our feelings about her and her new wonderful performance crash into each other and the spillover is pure joy.