Fashion Moments We Hope to See at Venice

Cate Blanchett will start her jury president duties at the Venice International Film Festival this Wednesday September 2. The festival will be the first major international film event since the Covid-19 pandemic cancelled all events around the world. Fashion lovers  are cautiously excited since there will be some sort of red carpet.

Blanchett has indicated in an interview with WWD magazine that she plans to exclusively re-wear looks from her closet throughout the festival. Yes, no new couture for Cate this year. It fits a socially distant event to be more responsible and promote sustainability. So we applaud the decision and suggest six looks we hope to see on Cate in the next 10 days.

Arriving at this list was arbitrary. Balnchett has wowed so many times that it’s futile to try to come with any rhyme or reason for my choices. It’s just a few that I love. There is one I did not choose whilst being my favorite because I’d like it to remain exclusive to that moment, the Carol premiere at Cannes. 

Where / When : The Oscars, February 2011

Designer: Givenchy 

Divisive at the time but now universally acknowledged as one of Cate’s most audacious red carpet moments. Everything about it is unusual. The pale lavender color spiked with yellow, the intricate embroidery, the pleats and the architectural breast piece. So avant garde, so Cate!

Where / When: SK-II event in Shanghai, September 2010

Designer: Christian Lacroix 

This is more obscure yet remains one of my faves ever. A glowing burgundy gown embellished with shimmering gold sequins. We have previously waxed poetic about it on the pod.

Where / When: The Oscars, February 2007

Designer: Armani

She wore this column Armani couture silver sheath the year she was nominated for Notes on Scandal. That was also the year she witnessed a moment we love from the telecast. You can see her front row clapping and whooping when The Aviator director, Martin Scorsese won his first Oscar after many nominations and decades of a wonderful career. 

Where / When: Cannes Opening Night and premiere of Robin Hood, May 2011

Designer: Alexander McQueen 

What a way to pay tribute to the recently deceased McQueen at the time. Cate wore this gorgeous black and white gown with the striking eagle print just 3 months after McQueen had passed.

Where / When: The Good German, LA premiere, December 2006

Designer: Versace 

This cream and gold peekaboo dress is singular but rarely mentioned in any fashion retrospectives about Cate. Bring it back, let the people enjoy.

Where / When : The Oscars, February 2005

Designer : Valentino 

Go big and re-wear something from one of your biggest career moments. That would be the bespoke Valentino that was specially designed for her to collect her first Academy Award. Cate and Valentino wanted to create a unique fashion moment, so he dressed no one else that year at the Oscars. This Yellow taffeta with the mauve sash was certainly a big wow and my favorite Oscar fashion from Cate. 

I haven’t chosen anything from last year’s Venice or from her stint as jury president in Cannes 2018 because I wanted to go further back in time. However let us know in the comments what you want to see repeated from those festivals?

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Cate Blanchett in ‘Robin Hood’

It’s not Maid Marian but rather Marion Loxely, a more modern take on Robin Hood’s paramour, played by Cate Blanchett in Ridley Scott’s 2010 version of the folklore tale of the legendary outlaw and his merry men. For this discussion Murtada Elfadl welcomes back Teo Bugbee. Logo - Robin Hood 1  Subscribe:  Apple Podcasts   /   Stitcher   /  Spotify  /   iHeart Follow along Robin Hood is streaming on STARZ. What is the film about? A more realistic / historical take on the legend of Robin Hood and his merry men. What year did it come out? May 2010 debuted at Cannes. Who does Cate play? Marion Loxley, not Maid Marian. She’s no damsel in distress, she fights, she leads an army.  How is Cate introduced?  Immediately as part of the prologue, the children of the forest raid her barn Box Office: Domestic = $105,269,730  Int’l =$216,400,011 – one of Cate’s most widely seen films. Critical Response: Metacritic : 53. RT: 43. boomhhhgfddsaa Topics discussed:
  • Did we need another Robin Hood? Which one is our favorite?
  • The movie has ideas about birthright and class that are interesting. Robin is first shown as “salt of the earth” soldier with honor, compared to John who’s only talent is being born a prince. But then they give Robin a story about having a great father and “exceptional legacy”? It’s perplexing.
  • The differences between what we know of Robin Hood and this version.
  • Cate’s best scene is when Marion learns of her husband’s death. Max von Sydow is wonderful too receiving the same news. Their deleted scene together is poignant.
  • Does Cate have chemistry with Crowe? He’s on record that she’s his best on screen kiss.
  • Russell Crowe – his 5th and last movie with Scott (Gladiator, A Good Year, American Gangster, Body of Lies) – they clashed on set, his last romantic lead, his last top lining a big budget studio movie.
  • Lea Seydoux and Oscar Isaac’s performances ; their intro with Eileen Atkins – talk about a stacked cast she plays Eleanor of Aquitaine – snaps the movie alive.
  • What have we been watching in quarantine: Paul Mescal in Normal People.
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Blanchett, Russell Crowe and Ridley Scott on the set of Robin Hood
Film within context of Cate’s career: Filmed within the time she was running the Sydney Theater Company and wasn’t working much in movies. Between 2008 (Benjamin Button) and 2013 (Blue Jasmine) the time she ran STC she only made this film, Hanna  (2011) and The Hobbit (2012).
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Cate Balnchett and Russell Crowe at the 2010 Cannes Film Festival
Promotional appearances: Cannes 2010. Subscribe:  Apple Podcasts   /   Stitcher   /  Spotify  /   iHeart Like? Rate and Review. Have a question? Leave us a comment.

Ocean’s 8 and the Peak of Cate Blanchett’s Celebrity

This week Murtada welcomes Kate Halliwell, who writes for The Ringer and hosts Tea Time podcast to discuss Ocean’s 8 and the period post Carol (2015) which they both consider to be Blanchett’s peak celebrity and pop culture power.

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What is the film about?

From imdb: Debbie Ocean gathers an all-female crew to attempt an impossible heist at New York City’s yearly Met Gala.

What year did it come out?

2018

Who does Cate play?

 Lou Miller, second in command to Debbie Miller. The Pitt to Bullock’s Clooney. Butch femme, loves motorcycles and wears a mean jumpsuit and leather pants.

How is Cate introduced? 

6 minutes in tampering with the vodka while Judge Judy plays in the background. 

 Box Office: Domestic = $140,218,711 Int’l = $ 157,500,000

Metacritic : 61 RT: 69

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Topics discussed:

1- Ocean’s 8

  • BDE – was that created just to describe Cate’s energy in this film?
  • The paparazzi photos during shooting – Cate and Rihanna in Central Park, that cute dog dancing – were better than the movie!
  • Hustlers is the movie we hoped Ocean’s 8 would be
  • Who’s the mvp : Anne Hathaway or Cate’s wardrobe? 

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Sandra Bullock and Cate Blanchett in Ocean’s 8

  • Cate’s wardrobe; props to the costume designer Sarah Edwards for getting it right and perhaps reflecting an edgier more downtown side of Cate’s IRL aesthetic.
  • The chemistry between Cate and Sandra. 
  • What scenes did we like? What seemed off? 

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Blanchett, Awkwafina, Paulson, Hathaway, Bullock, Kaling, Bonham Carter and Rihanna at the film’s New York premiere June 2018

2- Cate’s post Carol’s celebrity power

  • The memes, the devotion, the hive, the conspiracy theories… it’s a movement.
  • Harold they’re lesbians!
  • Cate as a fashion icon, how she understands the red carpet is performance why she gets many abuzz when she glides down a carpet or releases a magazine photo shoot.
  • What is the peak pop culture moment for Cate post 2015?

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Kristen Stewart eyeballing Cate Blanchett at the Jury photo call at the Cannes Film Festival May 2018

1) the Carol press tour late 2015 into 2016

2) Presiding over the Jury at Cannes May 2018

3) The Ocean’s 8 press tour (that Today Show interview with Sarah Paulson, the many suits she wore to all the press events) May-June 2018

4) Lip-synching at a drag show in NYC February 2017 to Dusty Springfield’s You Don’t Own Me

5) Even fellow celebrities are stans; from Gillian Anderson to Val Kilmer

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Cate Blanchett in ‘Indiana Jones and the Kingdom of the Crystal Skull’

We are going big this week. Big movie. Big performance. Murtada welcomes Gavin Mevius, co-host of The Mixed Reviews Podcast to discuss Steven Spielberg’s Indiana Jones and the Kingdom of the Crystal Skull (2008).

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Follow along, the film is streaming on Netflix.

What is the film about?

 From imdb: In 1957, archaeologist and adventurer Dr. Henry “Indiana” Jones, Jr. is called back into action and becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.

When did it come out?

May 2008

Who does Cate play?

Dr Irina Spalko; a doctor, colonel, and the primary antagonist of the film. She is a psychic, as well as a very skilled fencer and combatant. Called “Stalin’s fair haired girl” by one of the characters.

How is Cate introduced? 

 5 minutes in; first a commanding voice then cutaway to her in sunglasses emerging from car. As usual with Cate it’s a movie star entrance.

Box Office: Domestic = $317,101,119          Int’l = $469,534,914

Metacritic : 65. RT: 78.

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Topics discussed:

  • What did we think of the first 3 Indiana Jones movies? Why was this one so indifferently and or negatively received?
  • Steven Spielberg – general yay or nay? Fave films?
  • A ridiculous, campy over the top stylized performance. Everything heightened visually (the gray jumpsuit, the robotic body movements, the black bob), sonically (accent, clipped tones) – does it work?
  • Cate gets asked to play villains in big movies – Hana (2010), Cinderella (2015), Thor: Ragnarok (2017). Why? 
  • Lovely to see Karen Allen, remember Starman (1983)?
  • A lot of unnecessary exposition of backstory – just get to the action. And Ford is leaning into old professor delivery which doesn’t enliven the scenes.
  • The snakes, scorpions, quick sands, everyone’s phobias are there. Are they fun? Did we miss these from the other movies?
  • Ford and Allen trying Tracy / Hepburn – does it work?
  • Ridiculous refigerator scene. But it sets the tone and we now know what to do in a nuclear apocalypse.

“What people really jumped at was Indy climbing into a refrigerator and getting blown into the sky by an atom-bomb blast. Blame me. Don’t blame George. That was my silly idea. People stopped saying ‘jump the shark.’ They now say, ‘nuked the fridge.’ I’m proud of that. I’m glad I was able to bring that into popular culture.” – Spielberg to CNN.

  • Who wields the sword best? Shia really had no chance
  • Why the disdain for this performance? Was the film not exciting enough? Was there Cate fatigue at the time? That ludicrous death scene? 

Memorable quotes:

  • “You’re a teacher?” “Only part time”
  • “You fight like a young man. Eager to begin, quick to finish”
  • “Tell me I’m ready, I want to know”

Costumes we loved?

Well it’s just the one; an all -pupose gray jumpsuit.

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Lucas, Spielberg, Ford and Blanchett at the Cannes Film Festival May 2008

Scenes we liked:

The car chase in the forest with the sword fighting – exciting.

What seemed off:

  • Is the action exciting? What NY Magazine called “the setups are wittier than the payoffs.”
  • The plot is ridiculous as befits this type of movie, but it’s too ridiculous and unnecessarily dense and confusing.

Film within context of Cate’s career

This film was announced after Cate revealed her break with movies to run the Sydney Theater Company.

What reviews said of film / Cate:

The bad guys this time are cold war Reds first seen poking around an American military base and led by Irina Spalko. A caricature given crude, playful life by Cate Blanchett, Irina owes more than a little to Rosa Klebb, the pint-size Soviet operative played by Lotte Lenya, who took on James Bond in “From Russia With Love.”

Dressed in gray coveralls, her hair bobbed and Slavic accent slipping and sliding as far south as Australia, Ms. Blanchett takes to her role with brio, snapping her black gloves and all but clicking her black boots like one of those cartoon Nazis that traipse through earlier Indy films. She’s pretty much a hoot, the life of an otherwise drearily familiar party.Manohla Dargis, NYTimes

“Harrison Ford used to lighten his clenched persona with goofy shrugs that said, “I can only go so far with this hero stuff.” But the years have dried him out; he seems like a peevish movie star who’s too self-centered to interact. When he’s supposed to realize that Marion is the love of his life, he looks as if he’s gritting his teeth to kiss her. Blanchett—a great art object, her satin skin taut over those Asiatic cheekbones—hits the same note with diminishing returns. How many variations are there of “We meet again, Dr. Jones?”  David Edelstein, New York Magazine

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Irina Spalko, played by Blanchett with the severe demeanor of Cyd Charisse’s Ninotchka in the 1957 MGM musical Silk Stockings and the black bob Charisse sports in The Band Wagon.”- Richard Corliss, Time.

“Blanchett, who has absolutely no idea what to do with her role: She’s equal parts evil and incompetent, and she’s the least dangerous villain Indiana Jones has ever faced. Turns out that George Lucas and Steven Spielberg are far more threatening foes.”The Village Voice

Cate in relation to these co-stars, director, costume designer:

  • Only collaboration with Spielberg, Ford, Labeouf and Allen.
  • Kathleen Kennedy – current overlord of Star Wars – produced this and Benjamin Button, released in the same year.

Promotional appearances:

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