Special Episode: Carey Mulligan

To celebrate this year’s Oscar nominations which were announced this week we have a special episode about one of the nominees for best actress; Carey Mulligan. We discuss her filmography, her screen persona and dig deeper into three films; Shame (2011), Wildlife (2018) and her latest Promising Young Woman for which she recieved her second Oscar nomination. For this conversation podcast host Murtada Elfadl welcomes producer and writer, Jordan Crucchiola host of Disaster Girls and Aughtsterio‪n podcasts.

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Topics Discussed:

  • The first time we saw Mulligan on screen and why we love watching her.
  • Broke out with An Education (2010) with comparisons to Audrey Hepburn, though that misses the thorniness of the character and the performance.
  • Often associated with British period films from her first role in Pride and Prejudice (2205) to Far From the Madding Crowd (2013) to Suffragette (2015) to The Dig (2021).
  • Promisng Young Woman and why this film and performance are taking Mulligan to the next level with the industry and audiences.
  • We go into detail about two of her performances; Sissy in Shame (2011) and Jeanette in Wildlife (2018).

Shame (2011):

  • At the time this was seen as a new direction for Mulligan to break from prim and proper British period pieces with a modern provocative character.
  • Her rendition of “New York, New York”… melancholy, defeated with piercing hurt.
  • Builds a complex prickly sibling relationship that’s rooted in physicality with Michael Fassbender.
  • The way she modulates her voice, sounds different as Sissy than her other characters.
  • We are not bad people, we just come from a bad place.” – a line delivery that unlocks the character and movie.

Wildlife (2018):

  • Carey’s performance. Exacting, mercurial… the character is messy but the actor is in control.
  • Follows a long tradition of ‘women unraveling” on screen that beget fantastic performances. Gena Rowlands (A Woman Under the Influence), Vivien Leigh (A Streetcar Named Desire), Cate Blanchett (Blue Jasmine). This is my fave genre of films. On screen when women unravel they show their vulnerabilities, while men just become violent.
  • Why didn’t this film – impeccably made – find a bigger audience? Mulligan has talked about the negative reaction audiences had for her character.
  • A key line that unlocked the film for me “if you got a better plan for me, tell me I’ll try it.”
  • This is a performance whose brilliance lies in tiny moments despite a few loud notes.
  • The centerpiece scene; Jeanette’s clumsy seduction of Mr. Miller (Bill Camp) in the presence of her 14- year old son (Ed Oxenbould). 

Further Reading:

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2021 Oscars Best Actress

In a snippet from the podcast host Murtada Elfadl and guest Kevin Jacobsen discuss this year’s best actress race at the Oscars. And they choose their favorites; Frances McDormand in Nomadland and Andra Day in The United States vs. Billie Holiday. Listen to the podcast this Sunday March 21st when we will have a special episode about the career of another nominee for best actress; Carey Mulligan in Promising Young Woman.

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Cate Blanchett in “Bandits’

A retread of Butch Cassidy and the Sundance Kid? A homage to the pop music of 1980s Welsh singing sensation Bonnie Tyler? The rare American studio film that celebrates polyamory? It’s all of these things; Barry Levinson’s Bandits (2001). It also has Cate Blanchett lip-synching, dancing and kissing both Bruce Willis and Billy Bob Thornton. We also discuss our favorites in this year’s Oscar race for best actress as the nominations are announced. For this conversation Murtada Elfadl welcomes back Kevin Jacobsen host of And The Runner-Up Is podcast, who previously guested on our episode about Truth.

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Follow along, Bandits is available on HBO Max.

What is the film about?

From IMDB: Two bank robbers fall in love with the girl they’ve kidnapped.

When did it come out?

October 12, 2001.

Who does Cate play?

Kate Wheeler, a bored depressed housewife looking for adventure.

How is Cate introduced?

Kate Wheeler is talked about all through the first scene but then we have to wait 35 minutes for the iconic Bonnie Tyler lip sync dance Holding Out for a Hero / Total Eclipse of the Heart.

Box Office: Domestic = $41.5MM Int’l = $26MM

Critical Response: Metacritic : 60 RT: 64

Topics discussed:

  • Obviously A Butch cassidy and the Sundance Kid retread.
  • The initial car drive with Billy Bob – the best scene in the movie, certainly Cate’s funniest.
  • Bruce Willis’ wig needs to be seen to be believed.
  • Neil Young jokes? The humor in general seems not funny. The film drags, its comedic rhythm off.
  • Appreciated that the movie ultimately is on the side of polyamory. Can’t think of another American studio film that does that.
  • The framing device – a take on TV’s America’s Most Wanted – does it work? Or does it bog down the film and puncture its rhythm?
  • Billy Bob Thornton is too much. Too many quirks. Lots of telling us how quirky the character and not enough showing us.
  • Was this performance by Blanchett the blueprint for Jennifer Lawrence’s in American Hustle (2013)?
  • Barry Levinson, this came post his heyday in the late 80s (Rain Man, Good Morning Vietnam, Bugsy, Wag the Dog) and was perhaps his last big star driven film. Currently in the news gathering quite the cast (Oscar Isaac, Jake Gyllenhaal, Elisabeth Moss and Elle Fanning) for his movie about the making of The Godfather (1971), Francis and the Godfather.
  • Which of Cate’s upcoming movies are we looking forward to? James Gray’s Armageddon Time, Guillermo Del Toro’s Nightmare Alley, Borderlands.
  • How come she dropped out of the Lucille Ball movie? Let’s speculate.
Thornton, Blanchett and Willis in Bandits

Memorable quotes:

“Don’t argue I’m having a really bad day.”

“Kate’s an iceberg, waiting for the Titanic.”

”It’s the ultimate haiku to the complexity of love.” 

Blanchett, Troy Garity and Bruce Willis in Bandits

What reviews said of film / Cate:

A comedy that might have made Butch and Sundance jump off a cliff.” – Lisa Schwarzbaum, EW.

Bandits” is guilty of behaving like a petty thievery corporation; it steals from so many other sources that we’re forced to realize that it has little of its own to offer. But in isolated scenes, despite its photocopy quality, ‘Bandits” has a knockabout glimmer.” – A.O. Scott, NYTimes.

Films with context of Cate’s career:

We have talked about it before on the pod, another film in those post Elizabeth years where she was trying lots of genres to distance herself from her breakout role and prove she can do different thins. Here a rom-com.

Cate Blanchett with Helen Mirren at the NBR in January 2002

Awards:

Golden Globes : Nominations for Cate (Actress in a Comedy) and Thornton (Actor in a Comedy).

Screen Actors Guild: Nomination for Cate (Supporting Actress).

National Board of Review: Thornton (Best Actor also for The Man Who Wasn’t There and Monster’s Ball). When you are hot, you are hot. Thornton was at a career highs (post Sling Blade, Armageddon and A Simple Plan). Cate won NBR’s supporting actress award that year for her other 2001 movies LOTR, The Man Who Cried and The Shipping News. This this is the one movie they did not cite.

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The Trope of the Predatory Lesbian in ‘Notes on a Scandal’

In this snippett from the podcast two queer critics, host Murtada Elfadl in conversation with Teo Bugbee, talk about the trope of the predatory lesbian in NOTES ON A SCANDAL and their differnt reactions to it. They also pit the film problematic character Barbara Covett against another queer predator, Tom Ripley from The Talented Mr. Ripley.

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A Sunday with Dame Judi Dench

We have a special episode this week, a companion to our discussion last week of Notes on a Scandal. We visit with the Dame, Judi Dench. We discuss her film career, with deep dives into an early entry A Room With a View (1986) and the film that launched her film stardom Mrs. Brown (1997). Returning for this conversation with our host Murtada Elfadl is writer and critic Teo Bugbee.

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Topics Discussed:

  • General impression of the Dame, which performances do we enjoy, what does she bring to screen?
  • Our first time watching Judi Dench at the movies – Shakespeare in Love (1998). She won an Oscar playing Elizabeth I the same year Cate did in Elizabeth.
Judi Dench and Maggie Smith in A Room with a View (1986)
  • The duet with another Dame, Maggie Smith in A Room with a View.
  • Mrs. Brown (1997) was her big breakout film. It was originally intended as a TV movie until a certain producer was impressed and bought it for theaters.
Celia Imrie, Ronald Pickup, Diana Hardcastle, Dench, Smith and Bill Nighy in The Best Exotic Marigold Hotel (2011)
  • Other notable screen roles include Iris, The Best Exotic Marigold Hotel, Philomena, Skyfall.
  • We play a game: Who said it, Cate or Judi?
  • Briefly touch ob other career highlights from her early theater work – her Lady Macbeth (1976) is considered the standard, to the current iteration; tik tok sensation.

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Cate Blanchett and Judi Dench in ‘Notes on a Scandal’

A scandalous affair with an underage boy is the entry into this melodrama about the friendship between two teachers in North London. Murtada Elfadl welcomes back Teo Bugbee to discuss the juicy and delicious Notes on a Scandal, its lineage to hagsploitation flicks like Whatever Happened to Baby Jane?, the trope of the predatory lesbian, and why this film remains highly rewatchable.

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Follow along, stream the film on Amazon prime.

What is the film about?

From imdb: A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her fifteen-year-old students. However, her intentions with this new “friend” also go well beyond a platonic friendship. Adapted by Patrick Marber from Zoe heller’s novel, directed by Richard Eyre.

What year did it come out?

2006 

Who does Cate play?

Sheba Hart – a “bourgeoisie bohemia” teacher who embarks on a friendship with a fellow teacher and a disastrous affair with a student.

How is Cate introduced?

3 minutes in. The outsider coming in as the new art teacher in school, a “hard to read wispy novice.” Flustered and a bit late. 

Box Office: Domestic = $17.5MM, Int’l = $32.3MM.

Metacritic: 73 RT:  87

Blanchett and Dench deliciously going toe to toe in Notes on a Scandal

Topics Discussed::

  • Judi’s voice over is delicious, cuts like a sharp knife. I want to quote ALL of it. A gold star performance.
  • Sheba is unlike the characters that Cate usually plays. Many of those are “exceptional” people, Sheba is messy and foolish. The vagueness in the performance fits the character, she’d even described as someone without substance “a sort of absent person.”
  •  The trope of the repressed predatory lesbian – does the film interogate it? And the differing reactions to it from the hosts; a gay man and a lesbian.
  • There a mineage to the the tradition of hagsploitation pictures like Whatever Happened to Baby Jane?
  • Barbara Covett vs. Tom Ripley from The Talented Mr. Ripley. Why we identify with one as queer people and not the other?
  • We dissect three scenes:
    1. The main confrontation later in the film “Do you want to fuck me Barbara?” – so many delicious lines as they go toe to toe. A scene I rewatch a lot. 
    2. By the car when Barbara’s cat dies. 
    3. The lunch visit which sets up the class conflict that the film is trying to depict, also sets up the vast difference between how Barbara (makes an effort, gets dressed up) and Sheba (no effort at all, casual, doesn’t think about it) see their friendship.
  • Other scenes discussed:
  1. ”Dordogne” post the big confrontation.
  2. Bill Nighy wonderful when asking Sheba why she didn’t ask him for help after the affair’s reveal.

Film within context of Cate’s career:

Released the same year as The Good German and Babel

Awards:  Cate was nominated for Oscar, Golden Globes, and SAG losing to Jennifer Hudson in Dreamgirls. So was Judi + Bafta losing to Helen Mirren in The Queen. The Oscars also nominated Patrick Marber’s script and Philip Glass’ score. 

Press:

New Yorker profile by John Lahr includes this two anecdotes about the making of Notes:

“In a pre production discussion for last year’s “Notes on a Scandal,” Richard Eyre says he got off to “a slightly sticky start with Cate.” He told me, “She’d had one session with a dialect coach, and was she going to have another? I was worried about whether she’d be class-specific. Her character is kind of upper-middle bohemian. I wanted the distinction between her and Judi Dench’s character, who is petit bourgeois, to be clear.” Eyre continued, “I think she thought I was over concerned with the externals instead of the psychology.” “He was really worried about the issue of class,” Blanchett explained. “ ‘Richard,’ I said, ‘I need to work on it because I’m not a mimic. I need to sit down and work on it.’ So the accent became an issue, when I didn’t want to focus on the accent but on the meat of things.” No sooner were Eyre’s words out of his mouth than he realized that he’d made a mistake. “I was sitting in my kitchen and talking. She said, ‘Don’t you think I can do this?’ ‘ Eyre said. “She was upset. I must have been eroding her self-confidence. I felt as bad as I’ve ever felt. I apologized. She didn’t extract revenge.”

Marber recalls, “I put this line in it, ‘Where did you get my hair? Did you pluck it from the bath with some special fucking tweezers?’ She said, ‘I don’t want to say that line. It’s too funny. It will corrupt the tone of where Sheba’s at.’ We hammer-and-tonged it for about ten minutes. Eventually, I said, ‘Oh, please, just please.’ I think she felt compelled to concede to the writer, even if he was a bloody idiot. I think that’s because she’s come from the theatre.”

Blanchett / Dench lovefest in pictures:

Dench and Blanchett on set
Blanchett and Dench at the ‘Women in Hollywood’ event October 2006

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Sundance 2021 Wrap Up

In lieu of a regular episode this week we are discussing the many films we screened at the 2021 Sundance Film Festival. Murtada Elfadl welcomes back writer and critic Valerie Complex to discuss a few films including Rebecca Hall’s Passing, Shaka King’s Judas and the Black Messiah and Jonas Poher Rasmussen’s Flee, among many others. We also give out our awards for best perfromances and choose the one film you can’t miss at the festival.

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Topics Discussed:

  • Excellent virtual experience; Sundance presented the best experience of all festivals.
  • Documentaries are more innovative than narrative films at the festival.
  • Some docs discussed include Captains of Zaatari, Summer Of Soul, Misha and the Wolves and our favorite Flee.
  • We give out our own acting awards to Clifton Collins Jr. in Jockey, Daniel Kaluuya in Judas and the Black Messiah and Ruth Negga in Passing.
  • Further discussion of Passing and its queer subtext.
  • Sundance awards winner Coda; why it won and did it deserve all these awards?
  • Movies that surprised us including Violation and Pleasure.

Further Reading:

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Cate Blanchett in ‘The Missing’

Cate Blanchett: Medicine Woman. She’s a healer in 1880s New Mexico in Ron Howard’s Western The Missing (2003). We discuss the film, the performances of Blanchett, Tommy Lee Jones and Evan Rachel Wood. Plus we look into Howard’s filmography including his latest Hillbilly Elegy (2020), while admitting that we can’t find clues there to what he’s obssessed with as a filmmaker. For this conversation Murtada Elfadl welcomes back writer and critic Andrew Kendall, some of Andrew’s film writing can be found here.

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What is the film about?

From imdb: In 1885 New Mexico, a frontier medicine woman forms an uneasy alliance with her estranged father when her daughter is kidnapped by an Apache brujo. Shades of The Searchers (1956). Also starring Tommy Lee Jones, Evan Rachel Wood, Jenna Boyd and Aaron Eckhart.

What year did it come out?

November 2003

Who does Cate play?

Magdalena (Maggie) Gilkeson, a healer in the 1880s American west who has a complicated relationship with her father. It’s Dr. Blanchett, Medicine Woman. 

How is Cate introduced?

Immediately sitting in the commode. So Frances McDormand in Nomadland (2020) was not the first current star to be shown defecating in her movie.

Reception:

Box Office: Domestic = $27M Int’l = $11. Metacritic : 55. RT: 58.

Topics discussed: The Missing

  • Blanchett and Jones are matched well as two idiosyncratic people. There’s a symbiosis to their performances as stubborn loners; believable as father and daughter.
  • The film is well shot, well acted with an interesting story… why doesn’t it work? Competent though there’s nothing special about it – does that make the quintessential Ron Howard movie?
  • Too many rescue missions, gunfights…it becomes tedious… action not exciting.
  • Evan Rachel Wood as a truly stupid colonizer and Elisabeth Moss in a tiny part.
  • Aaron Eckhart supporting Oscar winning women; see also Julia Roberts in Erin Brockovich (2000) and Nicole Kidman in Rabbit Hole (2010). Prefer that to his current iteration as a sometimes action star (the …Has Fallen movies).

Topics Discussed: Ron Howard

  • What do we think of his filmography? What kind of director is he – beyond a competent studio filmmaker? His filmography offers scant detail to what he’s obsessed with.
  • This was his follow to the Oscar winning success of A Beautiful Mind (2001) and the mega box office of How the Grinch Stole Christmas (2000) i.e. he could do what he wanted and he chose this.
  • Murtada chooses Apollo 13 (1995) as his best movie, Andrew favors Parenthood (1989)- do they recall any of his other films? What made that successful?
  • Thoughts on latest, Hillbilly Elegy.

Film within context of Cate’s career:

Came out at the tail end of the years where she was experimenting with different genres (discussed previously The Gift, The Man Who Cried) and different directors without lasting impact. The Aviator comes a year later and starts a few years of an amazing run till 2008 when she leaves film to run the Sydney Theater Company. 

What reviews said of film / Cate:

As for Blanchett, she’s simply wonderful. She has played her share of queenly figures, but her acting essence is, emotionally speaking, plain-Jane. She’s a straight shooter, with an uncanny ability to find a character’s spine and communicate it without fuss or feathers.”- Richard Schickel, Time.

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‘Elizabeth: The Golden Age’

Well the time has come. This week we have a hurricane in us and we are going to command the wind. It’s Elizabeth: The Golden Age (2007), the movie that contains that most famous monologue in Cate Blanchett’s filmography. We discuss the film, that iconic scene and delve into that year’s best actress Oscar competition. Plus we nominate younger actors whose screen work remind us of Blanchett. For this conversation, Murtada Elfadl welcomes back Izzy from Be Kind Rewind

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Follow along the film is available on Amazon prime.

What is the film about?

From imdb: “A mature Queen Elizabeth endures multiple crises late in her reign including court intrigues, an assassination plot, the Spanish Armada, and romantic disappointments.” Directed by Shekar Kapur; also starring Clive Owen, Samantha Morton, Abbie Cornish, Geoffrey Rush, and in a tiny part as an assassin Eddie Redmayne (in 2015 Blanchett presents Redmayne with his Oscar). 

What year did it come out?

2007.

Who does Cate play?

Duh – top billed.  

Reception:

Box Office: Domestic = $16MM, Int’l = $59MM.

Metacritic: 45 RT: 34, definitely not a stellar reception.

Topics Discussed:

  • Starts in1585 and charts the latter years of Elizabeth I reign. Still plays with marriage as one of the main plots. As with the previous film, it takes the broad strokes of history to tell its story. There’s scant historical accuracy.
  • Love when Cate is at the center of the filmIn this film she either is at the center or the scene is about talking about her.
  • Unlike the first movie, she brings humor to this performance. Sometimes commenting n the script’s simplistic notions of female power – like when she repeats the line ”men have needs.”
  • What is the thesis of this film? It tries to say something about the loneliness of power, about aging… but what exactly? It’s all muddled.
  • Unlike the first film Elizabeth (1998), which was celebrated for its visceral athletic, this one was dismissed as another middling costume drama.
  • Works best as a series of scenes that are entertaining… and not always for reasons that the creaters intended. 
  • Fertile ground for upcoming talent. Eddie Redmayne, Abbie Cornish .. like Kelly McDonald and Emily Mortimer in the first film.
  • Elizabeth literally imagines Bess as her young self. Did they get the casting right? Who of the younger actors remind us of Blanchett?
  • Did Elizabeth believe in astrology? 
  • The “I have a hurricane in me” starts at 38. We discuss why this scene ebdures.
  • Other scenes to discuss:
    1. The speech at Tilbury before going off to fight the Spanish armada.
    2. Flirting with Clive Owen.
    3. Dismissing the attentions of the Austrian duke… back to my note above about bringing humor to the performance.
  • Reprising a signature role is not always successful. See Shirley MacLaine in Terms of Endearment (1983) / The Evening Star (1996). Though it worked for Paul Newman in The Hustler (1961) / The Color of Money (1986). Other examples include Peter O’Toole as another monarch in Beckett (1964) and The Lion in Winter (1968).

Costumes we loved:

Looks amazing in cream white in the assasination scene. Intricate eye catching design of most of Elizabeth’s costumes. Though I found many comments in my research that they were not historically accurate. Doesn’t matter, they were noticeable. 

The film must’ve won the Oscar because of the 360 shot of Elizabet’s costume after she wins the war.It’s main competition was Atonement which everybody expected to win because of Keira Knightley’s iconic green dress.

Film within context of Cate’s career:

  •  Released the same year as I’m Not There; she got a lot of notices about her range, “she can play both Elizabeth and Bob Dylan,” which added to her allure as the “best of her generation.”

Awards:  Won Oscar for costume design, nominated for best actress at all the usual awards ceremonies. For such a critically derided film, Blanchett didn’t miss out on any nomination.

Other best actress nominees:

Marion Cotillard, La Vie en Rose – the winner.  

Julie Christie, Away from Her. 

Elliott Page, Juno.

Laura Linney, The Savages – surprise nominee.

Missing out – Angelina Jolie A Mighty Heart, Keira Knightley Atonement, Amy Adams Enchanted, Tang Wei Lust and Caution.

Cate gave us two priceless reaction shots while best actress was presented at the Oscars:

1) revulsion at her “command the wind” clip, and 2) elation at Cotillard’s win.

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Cate Blanchett in ‘The Man Who Cried’

Glamour! Big Acting ! An Accent! A few hallmarks of Cate Blanchett’s performances that we love are present in Sally Potter’s The Man Who Cried (2001). It’s a commanding star turn that shows Blanchett at her best, and for that the movie is a must-see for every Blanchett fan. We discuss the film and performance. Plus revisit Mrs. America and the show’s chances at the winter TV awards (Golden Globes and SAG).

Hosted by Murtada Elfadl with guest Nathaniel Rogers of The Film Experience.

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What is the film about?

From Wikipedia: A Russian Jewish girl (Christina Ricci) is separated from her father in 1927 and escapes to England, where she’s rechristened Suzie. She grows up to be a singer in a Parisian theater populated by a glamorous Russian dancer (Cate Blanchett), an egotistical Italian tenor (John Turturro) and a handsome horseman (Johnny Depp). When the Nazis invade France, however, Suzie’s life is suddenly in danger, and she attempts to flee to the United States, where her father moved years earlier.

Who does Cate play?

Lola, a glamorous Russian dancer.

How is Cate introduced?

20 minutes in as the star attraction amidst a chorus of dancers. after she finishes the dance, she winks directly at the camera and the audience.

What year did it come out?

 Premiered at Venice September 2000. US release May 2001.

Box Office: Domestic = $747K Int’l = $575K

Critical Response: Metacritic : 40 RT: 35

Topics Discussed: The Man Who Cried

  • This movie hardly made a ripple in 2001. It is one of the very few Cate performances that I have never watched until now. Very hard to find…. youtube is your friend (wink).
  • Sally Potter as a distinctly visual filmmaker.
  • One of Cate’s early roles. Does the star quality appear? Of course, in fact this is a must-see for any Cate Blanchett fan because it shows her total command and allure as a screen star.
  • NBR awarded Cate best supporting actress for 2001 body of work including this, LOTR and The Shipping News
  • Again a very physical full bodied performance – a theme we’ve talked about on this podcast. There’s a nervous energy to it though. Lola is always moving, gawky, not graceful like some of her other characterizations.
  • Memorable look; albaster skin, red cherry lipstick, very blond hair – so very noticeable
  • Cate the droll comedian, we dig deep into one scene; when telling the rules of seducing men… “without my looks I wouldn’t have gotten out of Russia.”
  • Lola is a tragic figure . We talk about how Cate makes her so with emphasis on a couple of other scenes.
  • One of a few movies that Christina Ricci headlined – what do we think of her?
  • What’s with all the brooding Johnny Depp on horseback scenes – for a while both he and Ricci are silent in their scenes together.

Film within context of Cate’s career:

2000 – 2001 was the time when the choices she made post her breakout with Elizabeth began appearing for audiences. She chose a few supporting roles; all of them very far from that monarch and one lead role in The Gift (2000); previously discussed.

What reviews said of film / Cate:

“Blanchett’s role is the dazzler: Rolling her eyes, shrugging her shoulders and flinging her long limbs about insouciantly, she’s the soul of studiously artificial glamour, whether shimmying in a trashy revue or bewitching an unwary suitor.” – Maitland McDonagh, TV Guide.

“The movie is like a series of climactic moments from a World War II mini-series strung together without the undercurrents that might build character: it’s all big moments, the world’s longest and most sincere trailer. In fact, the title character doesn’t even appear until the end of the picture. (Before that the film should be called ”The Woman Who Cries,” since Ms. Ricci’s trembling chin gets quite a workout.)

With accents heavier than the melodrama going on around them, Ms. Blanchett and Mr. Turturro add comic weight and warmth as two predators sizing each other up before they realize they’re the same species.” – A O Scott, NYTimes.

“Ironically, in the midst of all this high caloric camp, the one performer who escapes with her dignity, Cate Blanchett, does so not by underacting but by getting in full shameless touch with her miscast inner ham. As Lola, a transplanted Moscow gold-digger with a borscht thick accent and lips as glossy red as the inside of a chocolate covered cherry, Blanchett is like Mata Hari played by Gwen Stefani impersonating Veronica Lake. It’s hard to take your eyes off of acting this knowingly overripe.”Owen Gleiberman, EW

Topics Discussed: Mrs. America & miscellaneous

  • Last time we talked Mrs. America was about to be released – our thoughts on the series.
  • Cate’s performance on the show is a major career highlight. Check out our recaps of the show.
  • Awards chances for Cate and the show at the upcoming winter awards (Glden Globes and SAG).
  • Looking forward to Nightmare Alley and her collaboration with Guillermo Del Toro and Bradley Cooper.

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